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Video Crew Positions

A guide to video crew positions.

We here at FiveSix Productions greatly value all the hard work and expertise that so many of our crew members bring to set everyday; from pre-production through the post process, our crews are the best. One of the character/work traits that we value the most is the ability for our team members to excel beyond the traditional, basic job requirements, and give more on set. For instance, our P.A.'s (Production Assistant in the U.S., Runner in the U.K.) may be asked to have basic knowledge in camera, audio, or footage management; while we don't typically ask our P.A.'s to do file transferring, some crews expect it. We have a great network of cinematographers, Directors of Photography, and camera operators, but some of our very skilled camera operators wouldn't go out as a D.P.; some crews/clients require that their "A Cam" or "Camera 1" operator is in fact, a D.P. Audio mixers and audio technicians are also two different things. An audio mixer may be expected to have a more thorough knowledge of audio, mixing, and maybe even the post process, where an audio tech may or may not have an advanced knowledge beyond the convention floor or basic interview audio. Also to consider, our grips, gaffers, and electricians occasionally find themselves on a set with a client from Philadelphia or London, where the gear may have different names. What we out west call our light dimmers, a gaffer from the U.K. most likely will call it a squeezer, so having a broad, extensive knowledge of your position will make the production run smoother.

From director of photography, to gaffer, audio tech, P.A., grip, producer, makeup, and the many other positions, we push ourselves to have the broadest and most extensive knowledge in our field. We at FiveSix Productions expect the best, and thus, we provide the best video production crews in Southern California and Nevada.

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FiveSix Objects!

FiveSix has been getting in the spirit of the season recently. Which season, you may ask. Why, the election season, of course. When we're not trying to make America great again, we're working with local governmental type figures who are trying to get elected, or stay elected into various governmental offices. So, we went to court to help a Las Vegas judge, try to get reelected. We objected, were overturned, asked for continuances, and were ultimately held in contempt for being too awesome, as we shot on our glorious Canon C300 Mark II. With slides, pans and tilts, and glorious depth of field, we did our Las Vegas video production thing, and made some Hollywood magic out here in Sin City. So, until next time, you stay classy; we're going to go study for the bar exam.


Neon Vests

Yesterday, FiveSix Productions, along with one of our favorite free-lance DPs, captured the magic that is beverage and snack-food distribution. This b-roll package, that kind of found it's way into something a bit more special, focused on the sometimes dangerous, and always fast-paced world of taking the concessions we hold near and dear to our heart, and definitely our waistlines, and sending them near and far. The focus was on safety, but our eyes were on the prize: salty, bubbly, flavorful treats that can't be beat. With bright neon vests, ingenious devices to protect our little piggies, and of course goggles to protect our money makers, we explored the world of forklift operations, pre-shift stretches, and the danger zone that is the red zone. What a rush! What a sensation! What a day in the world of Las Vegas video production!