Corporate video production can have it’s challenges. One of these challenges is locations as we don’t often get to choose where we shoot. If we’re lucky, we get a scout day or pictures of the location we’re supposed to shoot in or we’ve been there before and already know what we’re walking into. In these cases, we are prepared with the correct lighting and grip set up to make everything look great. But sometimes we go into a location blind as to what we’ll be working with. At these times it’s best to bring a versatile lighting set up because sometimes a green room is exactly that.
Recently in Las Vegas, we walked into a room where the windows had such a strange tint on them that all the light coming into the room was an eerie green in color. These were large floor to ceiling windows and there was no time or enough crew to gel them accordingly. Luckily we had brought four Litepanel Gemini 1 x 1 LED panels. With these lights we were able to dial in the amount of green to match the light coming in from the windows and then after that, it was simply white balancing the Canon C300 Mark II cameras accordingly. The room, despite looking eerily haunted, looked perfect on camera and the subjects, instead of looking sickly, appeared vibrant. It’s a simple technique but would have been much more difficult to pull off without the right tools. It’s one of the things FiveSix is known for, everything turned out great in a less than ideal situation. Effective video production is about being prepared, even if you’re tossed into a glowing green room.